Reviews of Awake a Dream From Standing Rock
From executive producer Shailene Woodley comes a documentary phone call-to-action, straight from the front lines of the Native-led fight against the Dakota Access Pipeline.
The sweeping plains of Due north Dakota are naturally cinematic, its tall windswept grasses and blueish river bends forming an image equally American equally apple tree pie. During the months-long protests at the Standing Rock reservation over the Dakota Access Pipeline's demolishing of sacred Native burial grounds, this grand mural became a bittersweet backdrop for images of peaceful protesters barraged by water cannons and choked by tear gas. Until now, these images reached the exterior world just as shaky iPhone video, a drone shot, or a colorful however overlaid with inspirational text.
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Those visuals grade a cohesive whole in "Awake, a Dream From Standing Rock," an evocative wake-up call told as a visual poem. This new documentary from executive producer Shailene Woodley ("Divergent") was co-directed by Josh Trick("Gasland") and James Spione ("Incident in New Baghdad"), with boosted footage from Native journalist Myron Dewey, and a script co-written by Native activist Floris White Bull, who narrates the film.
Shailene Woodley in "Awake, A Dream From Continuing Stone"
Josh Play tricks
Woodley emerged as a high-profile marry for the #NoDAPL motion when she was arrested for trespassing at Continuing Rock concluding Oct. The film moves from the summer of 2016, when demonstrations began, to the electric current and disheartening pipeline condition. White Bull's voiceover narrates the events with a reflective poem, recounting symbolic dreams and hopeful visions. Like whatsoever keen poem, her musings uncover hidden truths with their simplicity: "Was this a vision of the hereafter? The nowadays? The past?"
Though the landscape is scenic, the film's most shocking images are environmentally foreboding: Rivers on burn down, rainforest greenery dripping in oil, cars overturned past roiling inundation waters. About disturbing, perhaps, is a color-coded map of planned pipelines, or those already in existence, flowing in black and red throughout the continental United states of america. "The black snake has been prophesied for generations," said White Bull.
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Those who followed the story closely may not larn anything new from "Awake," simply information technology is still devastating to hear that initially, the pipeline's road was miles from Turtle Island, the sacred burial footing later demolished by Energy Transfer'due south bulldozers. An early lawsuit filed by the Standing Rock Sioux showing multiple sacred sites threatened by the pipeline essentially became a road map used past Free energy Transfer to re-route construction and inflict the most damage.
Some other chilling moment comes from an anonymous 911 telephone call, as a shaky female vocalisation reports an attack on unarmed civilians. When the 911 operator offers to send police to the site, caller explains it is the police doing the attacking. Confused, the 911 operator says at that place is nothing he can do if the constabulary are already on the scene. "Who protects the people from the police?" she asks.
A all the same from "Awake, a Dream From Continuing Stone."
Tribeca
The film opts non to follow a i subject field closely; instead, it aims for a pastiche from multiple interview subjects, mostly Native. While this technique seems to say "We are all in this fight together," it makes it difficult to latch onto anything beyond the timeline. Dewey, whose extensive drone footage made him one of the near closely followed journalists to come out of the movement, appears simply in the latter third of the motion-picture show. Equally North Dakota police force officers follow his automobile and call him by proper name without providing theirs, the moving picture offers a minor glimpse into the life of a demonstrator on the footing. A few more moments like that would accept done much to basis the story in specifics.
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"Awake, a Dream From Standing Rock" not only serves as a vital tape of one of the biggest protest movements since Occupy Wall Street or Black Lives Matter, but its events are also fresh. That swift response, a wake-up call, in the course of a visual poem, is a attestation to the filmmakers' artistry, and urgency. As White Bull says: "I am not dreaming. I'm awake. I take been woken past the spirit within me that demanded I open up my eyes and see the earth."
Grade: B
"Awake, a Dream From Standing Stone" premiered at the 2017 Tribeca Film Festival.
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Source: https://www.indiewire.com/2017/04/shailene-woodley-awake-a-dream-from-standing-rock-tribeca-review-1201808352/
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